The Body and the Object: Physical Relations of Viewing in the Sculpture of Eva Hesse
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Title:
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The Body and the Object: Physical Relations of Viewing in the Sculpture of Eva Hesse |
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Author:
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Garner, Hannah
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Advisor:
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Miller, Jerry; Higginson, Pim
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Department:
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Bi-College (Haverford and Bryn Mawr Colleges). Comparative Literature Program |
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Type:
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Thesis (B.A.) |
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Issue Date:
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2012 |
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Abstract:
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The dynamic between viewer and art object is central to Eva Hesse’s oeuvre.
In writing about Hesse’s sculpture through the viewer’s experience of the work, I
demonstrate the experiential and embodied nature of viewership. Through Hélène
Cixous’ definition of écriture féminine and a performative understanding of art
viewership, I argue that Hesse’s sculpture puts the viewer’s physical presence at the
forefront of the experience and meaning of the work. The viewer’s body thus infringes
on the independent objecthood of the artwork. Furthermore, as phenomenology and
Minimalist art theory help elucidate, Hesse’s work wavers between art object and mere
thing, further destabilizing the state of objecthood in her art. Hence, the physical and
conceptual experience of the viewer must be considered as part of the sculpture itself. If
we acknowledge that the art of Hesse’s work is located not in the physical work but in the
relationship between art and viewer, then Hesse’s sculpture is never closed or finished. |
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Subject:
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Minimal sculpture
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Subject:
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Hesse, Eva, 1936-1970 -- Criticism and interpretation
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Terms of Use:
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http://creativecommons.org/licenses/by-nc/3.0/us/
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Permanent URL:
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http://hdl.handle.net/10066/9020
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Files in this item
Citation
Garner, Hannah.
"The Body and the Object: Physical Relations of Viewing in the Sculpture of Eva Hesse".
2012. Available electronically from
http://hdl.handle.net/10066/9020.
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