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Browsing Fine Arts by Title

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Browsing Fine Arts by Title

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  • Untitled 
    Li, Sharon (2014)
    What happens after hours, when work is done and day folds into night? For my thesis I looked at the nightlife subculture of my hometown Shanghai, and the dramas cultivated in its closed environments. These paintings are ...
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    Murphy, Shannon (2014)
    My project begins with two things that I always come back to: home and craft. A significant inspiration for me comes from traditional crafts such as quilting, knitting, and embroidery. In a home, these skills create objects ...
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    Xie, Grace (2014)
    Candles, once the most reliable source for light, are now popular as memorials, religious and romantic decorations, or as symbols of the past. The real candle I made lost its light due to the presence of the wax—the very ...
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    Keep, Claudia (2015)
    My work examines the liminal space occupied by young people and the effects of that space upon identity and self-representation. In my larger-than-life portrait paintings, I use realism and controlled fiction in an attempt ...
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    Ortiz, Angelica (2015)
    The idea of home has always been important to me. The three places that I consider home are East Palo Alto, California; San Ignacio, Mexico; and Haverford, Pennsylvania. Be it in a positive or negative light, these places ...
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    Riccobene, Brianna (2015)
    What would happen if every human on earth suddenly fell into pieces? My work aims to explore the rebuilding process and relationships formed through recovering from such an event. Construction begins slowly, as only remnants ...
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    You, Siyang (2015)
    My affection and connection with architecture have developed over many years. I have liked to build things since I was very young. When coming to painting, my focus falls naturally into the expression of architecture—specifically ...
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    Fawcett, Elizabeth (2015)
    People tell stories across multiple mediums and I have always enjoyed storytelling accomplished by means other than writing. Many Russian tales were told orally and through illustrations as many peasants were illiterate, ...
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    Salazar, Samantha (2011)
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    Smith, Candice (2011)
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    Wang, Angela (2011)
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    Kirilova, Val (2011)
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    Power, Kelsey (2012)
    I recognize a certain irony in illustration as an art form because its existence and inspiration are predicated on the written word. Though I believe art points to beauty and must stand on its own, my work strives to analyze ...
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    Seto, Katharine (2012)
    Art is like a person—organic, complex, and emotional. Art’s differences cannot be defined by intellectual labels that only loosely describe what a viewer sees or feels in a piece of art. Only the artist has a full understanding ...
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    Benjamin, Anna (2013)
    In the Islamic arts, color and shape are used extensively to fill a space with beauty and decoration. Geometric patterns are incorporated into every aspect of the design: walls, floors, ceilings, tiles, furniture and fabric. ...
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    Cohen-Carroll, Natasha (2013)
    When I was young, I loved playing with my grandmother’s elbow skin; I was fascinated by the way in stayed in place, its elasticity, and the beautiful purple and green color of her veins. Her arm became a place of exploration ...
  • Untitled 
    Risemberg, Annie (2013)
    I started photographing on 52nd Street in early 2010. I came to Bryn Mawr and Haverford from a low-income family and a diverse upbringing, and while I found the suburban community uncomfortable, I was drawn to the lively ...
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    Schilit, Jordan (2013)
    To me, art is funky and random. To me, art is spiky. To me, art is both harsh and delicate. To me, art is a challenge to carry. To me, art doesn’t like sitting around—even if it’s resting on the floor. To me, art doesn’t ...
  • Untitled 
    Whitt, Sarah (2013)
    A conversation with a friend, which likened human yearning to moths drawn to light, inspired my curiosity. I learned moths use the moon to navigate flightlines; a closer light may prompt them to over correct, clustering ...
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    FitzPatrick, Kerry (2013)
    Using a language that has been heavily conditioned by the overwhelming visual stimuli characteristic of modern technology, I attempt to reinterpret iconography and mythology that has become somewhat trite and perhaps even ...

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