Power Play in Heian Japan: Sei Shonagon's Makura no sashi
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Title:
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Power Play in Heian Japan: Sei Shonagon's Makura no sashi |
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Author:
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Barndt, Jillian
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Advisor:
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Glassman, Hank
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Department:
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Bi-College (Haverford and Bryn Mawr Colleges). Dept. of East Asian Studies |
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Type:
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Thesis (B.A.) |
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Issue Date:
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2010 |
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Abstract:
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Within the Heian period, nikki bungaku, diary literature, began to be produced in great
numbers. Written by female members of the court, the prime purpose of nikki was their use as a
form of political power. As there was a known audience prior to the writing of nikki, authors
would highlight their friends and families within the text, in order for them to receive more
prominence within the court. Sei Shonagon's Makura no sashi is one such text, which she used
to highlight her patroness, the Empress Sadako, who had fallen into disgrace in the late-tenth
century. Sei's use of power within her text is compared to Murasaki Shikibu's Murasaki shikibu
nikki, produced in the beginning of the tenth-century, but focusing on the birth of Fujiwara no
Michinaga's grandchild. Despite the differences in these two texts, the main purpose, to promote
others, remains strong. |
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Subject:
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Power (Social sciences) -- Japan -- History
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Subject:
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Japanese literature -- Heian period, 794-1185 -- History and criticism
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Subject:
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Sei Shōnagon, b. ca. 967. Makura no sōshi
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Subject:
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Sei Shōnagon, b. ca. 967 -- Criticism and interpretation
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Terms of Use:
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http://creativecommons.org/licenses/by-nc/3.0/us/
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Permanent URL:
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http://hdl.handle.net/10066/4709
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