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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10066/1437
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| Title: | The Experiential Sublime: Perception, Conception, and Emotion in Mark Rothko’s Classic Color-Field Paintings |
| Author(s): | Bromberger, Bianca |
| Advisor(s): | Saltzman, Lisa |
| Department: | Bryn Mawr College. Dept. of History of Art |
| Abstract: | Rather than being simple studies of abstract color and form, Mark Rothko's color-field paintings are argued to evoke intense emotional experiences. An investigation into how light is visually perceived
and subsequently conceptually and emotionally experienced reveals how planes of color become catalysts for an internal experience of the
Sublime when encountered by a viewer. |
| URI: | http://hdl.handle.net/10066/1437 |
| Appears in Collections: | History of Art (Bryn Mawr)
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Files in This Item:
| File |
Description |
Size | Format |
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| 2008BrombergerB_release.pdf | ** Archived Staff Only ** | 21Kb | Adobe PDF | View/Open | | 2008BrombergerB_HConly.pdf | Complete thesis (HC users only) | 340Kb | Adobe PDF | View/Open | | 2008BrombergerB.pdf | Abridged thesis (publicly-available) | 142Kb | Adobe PDF | View/Open |
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