Self-Deception in Suburbia: Plotting Escape in The Amazing Adventures of Kavalier and Clay

Date
2007
Journal Title
Journal ISSN
Volume Title
Publisher
Producer
Director
Performer
Choreographer
Costume Designer
Music
Videographer
Lighting Designer
Set Designer
Crew Member
Funder
Rehearsal Director
Concert Coordinator
Moderator
Panelist
Alternative Title
Department
Haverford College. Department of English
Type
Thesis
Original Format
Running Time
File Format
Place of Publication
Date Span
Copyright Date
Award
Language
eng
Note
Table of Contents
Terms of Use
Rights Holder
Access Restrictions
Open Access
Tripod URL
Identifier
Abstract
Michael Chabon’s The Amazing Adventures of Kavalier and Clay concerns itself primarily with the issue of escape. This essay explores the subject of escapism through the novel’s protagonist, Sammy Clay, a comic book writer. Immersed in the world of comics, Sammy uses fantasy to assuage his pain, and his denial of his homosexuality is the direct result of such an impulse. The novel uses the terms of self-deception to frame these larger themes of fantasy and escape as they present themselves in the domains of comic books, sexuality, suburbia, and the novelistic enterprise. The essay ultimately determines the limits of escapism, finding Sammy’s permanent escape problematic in the face of a more productive temporary escape from life’s realities.
Description
Citation
Collections